American comic book writer & creator (1922- )
I'm sort of a pressure writer. If somebody says, "Stan, write something," and I have to have it by tomorrow morning, I'll just sit down and I'll write it. It always seems to come to me. But I'm better doing a rushed job because if it isn't something that's due quickly, I won't work on it until it becomes almost an emergency and then I'll do it.
STAN LEE
interview, March 13, 2006
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
STAN LEE
Brandweek, May 2000
Well, I guess we were looking for something to hook some new readers. Also, I think boredom had a little to do with it. We had been turning out books for about twenty years. Same old type all the time ... so I figured, let's try something a little more offbeat. Let's try to ... I think the big policy was to avoid the clichés. For example in the Fantastic Four, the first cliché was: all superheroes wore costumes. We soon learned that was a mistake because, much as the readers like offbeat things, there are certain basics that we must have, and apparently superhero fans do demand costumes as we learned in the subsequent mail.
STAN LEE
Castle of Frankenstein, no. 12, 1968
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
STAN LEE
Castle of Frankenstein, no. 12, 1968
It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part.
STAN LEE
online interview, Esquire, July 3, 2012
Jack Kirby to me was far and away the king. I gave him the name King Kirby ... everything he drew was just the way it should be.
STAN LEE
interview, Fan Expo, June 5, 2016
Well, the biggest thing I like about [Spider-Man] is that he seems to be so successful. Everybody else seems to like him. Basically the thing that always intrigued me, what I always wanted to produce was a character that the average reader could identify with. He's not the strongest man in the world. And in his normal identity as Peter Parker, he's not as handsome as Brad Pitt, he's not a great athlete. He's just a regular guy like most guys. And I think that has helped to create the popularity that he has because so many readers can just identify with him.
STAN LEE
"How Stan Lee is bringing women and minorities to the comic world", She Knows, January 27, 2015
The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.
STAN LEE
The Washington Post, July 23, 2010
I'm very proud of being a hack. It's why I've lived as long as I have, I think.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.
STAN LEE
interview, April 30, 2002
Someone wants to do a movie of my life now and he's writing a script, and I said to him, "What the hell could you do? I've never been arrested, I haven't taken drugs, I've had the same wife for 54 years -- where's anything of interest to people?"
STAN LEE
interview, April 30, 2002
Never speak harshly of your enemy -- when you can kick 'im in the shins instead!
STAN LEE
"Stan Lee's Soapbox", Conan the Barbarian #55, October 1975
When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.
STAN LEE
online interview, Esquire, July 3, 2012
If we don't blow ourselves up, the future will be wonderful.
STAN LEE
interview with Steve Aoki, Neon Future Sessions
My favorite movie star, far and away, was Errol Flynn. I thought that this guy was the greatest because he always played such heroic roles. He was either the sheriff of Dodge City, or he was Robin Hood, or he was Captain Blood. When I would leave the theater, I'd be about 10 years old I guess ... I would imagine I had a little crooked smile on my face the way Errol Flynn did, and an imaginary sword at my side. I'd be looking around for little girls that might be [attacked] by some bullies.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
If Shakespeare and Michelangelo were alive today, and if they decided to collaborate on a comic, Shakespeare would write the script and Michelangelo would draw it. How could anybody say that this wouldn't be as worthwhile an artform as anything on earth?
STAN LEE
Stan Lee: Conversations
Kids like comics as much as ever, but a very unusual thing happened. There used to be a very big collectors' market; all of a sudden people were paying high prices for back issues of comics. Houses like Sotheby's would have big auctions, and kids would read that a comic book, which originally cost a dime, was sold for $20,000. There were newspaper articles: "Comic books are a better investment than stocks." So, instead of buying one issue of a magazine, they'd buy twenty. They wouldn't even read them, never took them out of the cellophane. Suddenly a book that sold 200,000 was selling a million or half a million. It was the greatest thing. Then the market crashed.
STAN LEE
Stan Lee: Conversations
DC, of course, is trying to catch up to Marvel. More power to them. It's good if everybody does well, but they're certainly starting from a ways back. They have a lot of catching up to do ... Marvel has so many heroes. DC just has Superman, Batman and maybe Wonder Woman. Perhaps they'll use The Flash. Green Lantern wasn't very successful, but we'll see.
STAN LEE
Toronto Sun, April 17, 2015
I try not to do anything that's too close to what I've done before. And the nice thing is we have a big universe here. It's filled with new ideas. All you have to do is grab them.
STAN LEE
Brandweek, May 2000
The publisher had me doing western magazines, crime magazines, men's adventure magazines, even romance and teenage magazines and one day he came to me and he said you know one of our competitors has a book called The Justice League and it's selling well and it's a bunch of superheroes, why don't we do some superhero magazines? I said OK, I wanted to keep my job so I came up with The Fantastic Four and the others and that was the only reason. If my publisher hadn't said 'let's do superhero stories' I'd probably still be doing A Kid Called Outlaw, The Two Gun Kid or Millie the Model or whatever I was doing at the time.
STAN LEE
interview, CNN, June 12, 2013