British author (1919-2013)
What a luxury a cat is, the moments of shocking and startling pleasure in a day, the feel of the beast, the soft sleekness under your palm, the warmth when you wake on a cold night, the grace and charm even in a quite ordinary workaday puss. Cat walks across your room, and in that lonely stalk you see leopard or even panther, or it turns its head to acknowledge you and the yellow blaze of those eyes tells you what an exotic visitor you have here, in this household friend, the cat who purrs as you stroke, or rub his chin, or scratch his head.
DORIS LESSING
The Old Age of El Magnifico
As in the political sphere, the child is taught that he is free, a democrat, with a free will and a free mind, lives in a free country, makes his own decisions. At the same time he is a prisoner of the assumptions and dogmas of his time, which he does not question, because he has never been told they exist. By the time a young person has reached the age when he has to choose (we still take it for granted that a choice is inevitable) between the arts and the sciences, he often chooses the arts because he feels that here is humanity, freedom, choice. He does not know that he is already moulded by a system: he does not know that the choice itself is the result of a false dichotomy rooted in the heart of our culture. Those who do sense this, and who don't wish to subject themselves to further moulding, tend to leave, in a half-unconscious, instinctive attempt to find work where they won't be divided against themselves. With all our institutions, from the police force to academia, from medicine to politics, we give little attention to the people who leave--that process of elimination that goes on all the time and which excludes, very early, those likely to be original and reforming, leaving those attracted to a thing because that is what they are already like. A young policeman leaves the Force saying he doesn't like what he has to do. A young teacher leaves teaching, her idealism snubbed. This social mechanism goes almost unnoticed--yet it is as powerful as any in keeping our institutions rigid and oppressive.
DORIS LESSING
A Small Personal Voice
Always, in epochs when the languages and dialects of a culture have become outstripped by development of a practical sort, these languages become repetitive, formalised -- and ridiculous. Phrases, words, associations of sentences spin themselves out automatically, but have no effect: they have lost their power, their energy.
DORIS LESSING
Shikasta
Women are slaves to their beauty.
DORIS LESSING
Shikasta
My major aim was to shape a book which would make its own comment, a wordless statement: to talk through the way it was shaped.
DORIS LESSING
introduction, The Golden Notebook
Oh Christ. I couldn't care less.... I can't say I'm overwhelmed with surprise. I'm 88 years old and they can't give the Nobel to someone who's dead, so I think they were probably thinking they'd probably better give it to me now before I've popped off.
DORIS LESSING
"Doris Lessing oldest to win literature Nobel", The Toronto Star, October 12, 2007
London has changed enormously and so have the English in the past decade. They're more like Americans and more like Europeans, too. They're always eating out, and when they're at home they don't cook the way they did ten years ago. They're all sitting around in cafés, like the Continentals, drinking coffee and chattering and watching the world go by.
DORIS LESSING
interview, The Progressive, June 1999
You are taken, shaken, by moments when the improbability of our lives comes over you like a fever. Everything is remarkable, people, living, events present themselves to you with the immediacy of players in some barbarous and splendid drama that it seems we are part of. You have been given new eyes.
DORIS LESSING
Time Bites
You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
DORIS LESSING
The New York Times, April 22, 1984
What's terrible is to pretend that the second-rate is the first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better.
DORIS LESSING
The Golden Notebook
Women's emotions are still fitted for a kind of society that no longer exists. My deep emotions, my real ones, are to do with my relationship with a man. One man. But I don't live that kind of life, and I know few women who do. So what I feel is irrelevant and silly.
DORIS LESSING
The Golden Notebook
Sometimes I dislike women, I dislike us all, because of our capacity for not-thinking when it suits us; we choose not to think when we are reaching our for happiness.
DORIS LESSING
The Golden Notebook
I spend a good deal of time wondering how we will seem to the people who come after us. This is not an idle interest, but a deliberate attempt to strengthen the power of that "other eye," which we can use to judge ourselves.
DORIS LESSING
Prisons We Choose to Live Inside
Often the mass emotions are those which seem the noblest, best and most beautiful. And yet, inside a year, five years, a decade, five decades, people will be asking, "How could you have believed that?" because events will have taken place that will have banished the said mass emotions to the dustbin of history.
DORIS LESSING
Prisons We Choose to Live Inside
I think novelists perform many useful tasks for their fellow citizens, but one of the most valuable is this: to enable us to see ourselves as others see us.
DORIS LESSING
Prisons We Choose to Live Inside
Some books are not read in the right way because they have skipped a stage of opinion, assume a crystallization of information in society which has not yet taken place.
DORIS LESSING
Partisan Review, 1973
I think people are always looking for gurus. It's the easiest thing in the world to become a guru. It's quite terrifying. I once saw something fascinating here in New York. It must have been in the early seventies--guru time. A man used to go and sit in Central Park, wearing elaborate golden robes. He never once opened his mouth, he just sat. He'd appear at lunchtime. People appeared from everywhere, because he was obviously a holy man, and this went on for months. They just sat around him in reverent silence. Eventually he got fed up with it and left. Yes. It's as easy as that.
DORIS LESSING
The Paris Review, spring 1988
Mostly getting old is boring. I hate the stiffness in the bones. I was physically arrogant for years. I don't like it now that I have difficulty getting around. But a certain equanimity sets in, a certain detachment. Things seem less desperately important than they once did, and that's a pleasure.
DORIS LESSING
interview, The Progressive, June 1999
The old watch the young with anguish, pain, fear. Above all what each has learned is what things cost, what has to be paid.
DORIS LESSING
Shikasta
Wisdom is better than weapons of war;
but one sinner destroyeth much good.
DORIS LESSING
Ecclesiastes or, The Preacher