Chinese novelist & playwright (1940- )
Language is inherently not concerned with logic. As an expression of the psychological activities of humankind, it simply follows a linear process as it seeks actualisation. Moreover, it does not obey the objective concepts of time and space that belong to the physical world. When the discussion of time and space is imported into linguistic art from scientific aims and research methods, that linguistic art is entirely reduced to trifling pseudo-philosophical issues.
GAO XINGJIAN
The Case for Literature
Walk where your heart leads you, there are no restrictions and no burdens.
GAO XINGJIAN
Nocturnal Wanderer
Literary revolution and revolutionary literature did not create a beautiful new world but instead divested literature of its basic nature, promoted violence, and, by resorting to linguistic violence, made a battlefield of this domain of spiritual freedom.
GAO XINGJIAN
"Literature as Testimony: The Search for Truth", Witness Literature: Proceedings of the Nobel Centennial Symposium
Young man, nature is not frightening, it's people who are frightening! You just need to get to know nature and it will become friendly. This creature known as man is of course highly intelligent, he's capable of manufacturing almost anything from rumors to test-tube babies and yet he destroys two to three species every day. This is the absurdity of man.
GAO XINGJIAN
Soul Mountain
Dreams are more real than reality itself, they're closer to the self.
GAO XINGJIAN
Dialogue and Rebuttal
Once the buttons are undone, you know how it'll all end. It's all in the game, there are no miracles.
GAO XINGJIAN
Weekend Quartet
Everyone has to have either this or that problem, if he can't find any problem, he loses all reason for living.
GAO XINGJIAN
Nocturnal Wanderer
If everyone is a hero, then disasters and atrocities lose their meaning. It's only when certain people are heroes and others are not that these tragedies and disasters that mankind faces take on meaning.
GAO XINGJIAN
"A Conversation with Gao Xingjian", Asia Society
Everybody can write poetry, just like everybody knows how to make love.
GAO XINGJIAN
The Other Shore
Everybody is wearing a mask. It's in literature that true life can be found. It's under the mask of fiction that you can tell the truth.
GAO XINGJIAN
The Guardian, Aug. 1, 2008
The human species does not necessarily move in stages from progress to progress ... history and civilization do not advance in tandem. From the stagnation of Medieval Europe to the decline and chaos in recent times on the mainland of Asia and to the catastrophes of two world wars in the twentieth century, the methods of killing people became increasingly sophisticated. Scientific and technological progress certainly does not imply that humankind as a result becomes more civilized.
GAO XINGJIAN
Nobel Lecture, 2000
Maybe there isn't a God after all, maybe there's only a universe rotating by itself like a millstone.
GAO XINGJIAN
The Other Shore
The feeling of loneliness is unique to humans. A tree or a bird may seem to be lonely, but this is an attribute bestowed by the person making the observation. The tree or the bird is incapable of perceiving loneliness. This feeling occurs when a person is alone, and, moved by his emotions, associates his own circumstances with those of the bird or the tree that he sees before him. Since this feeling entails an element of self-examination, it is not a purely objective observation. The feeling of loneliness produced is thus a form of aesthetics, in that while observing one's external environment, one is at the same time examining the self that is located within it, and to a certain extent this is an affirmation of one's own personal worth.
GAO XINGJIAN
speech presented on receiving the Golden Plate Award at the Forty-first International Achievement Summit of the American Academy of Achievement, Jun. 8, 2002
In the century that has just passed, many of the intellectual elite went mad. It was as if, with the death of God, everyone suddenly turned into a saviour who wanted either to annihilate the obsolete world order or to establish a utopia. Naturally, there were writers among those who went mad. The fact that they had knowledge did not exempt intellectuals: there is madness everywhere. When one loses control over one's self, the result is madness.
GAO XINGJIAN
"Literature as Testimony: The Search for Truth", Witness Literature: Proceedings of the Nobel Centennial Symposium
Truth refuses to be subservient to either politics or the market.
GAO XINGJIAN
"Literature as Testimony: The Search for Truth", Witness Literature: Proceedings of the Nobel Centennial Symposium
The enterprise of describing something in language that has never been described before is a very difficult thing to do. When you decide to do away with old cliches or old phraseologies, and to come up with a new way of saying something, it's extremely difficult.
GAO XINGJIAN
"A Conversation with Gao Xingjian", Asia Society
To subvert is not the aim of literature, its value lies in discovering and revealing what is rarely known, little known, thought to be known but in fact not very well known of the truth of the human world. It would seem that truth is the unassailable and most basic quality of literature.
GAO XINGJIAN
Nobel Lecture, 2000
Man tends to think that he is a creator, that he is like God. This is especially true of intellectuals, and in the last century, intellectuals tended to forget that they were like everyone else. Writing this book was a description of man going from a state of God back to a state of man, back to being a normal person.
GAO XINGJIAN
"A Conversation with Gao Xingjian", Asia Society
It wasn't that the girl failed to attract him, but he preferred casual sex with uninhibited women who had already wallowed in the mire at the bottom of society. There was no need for him to waste his energy teaching this girl about life.
GAO XINGJIAN
One Man's Bible
If literature is to transcend political interference and return to being a testimony of man and his existential predicament, it needs first to break away from ideology. To be without "isms," is to return to the individual and to return to viewing the world through the eyes of the writer, an individual who relies on his own perceptions and does not act as a spokesman for the people. The people already have rulers and election campaigners speaking in their name.
GAO XINGJIAN
"Literature as Testimony: The Search for Truth", Witness Literature: Proceedings of the Nobel Centennial Symposium