quotations about writing
Once writing has become your major vice and greatest pleasure only death can stop it.
ERNEST HEMINGWAY
The Paris Review, spring 1958
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
YEVGENY ZAMYATIN
The Goal
When a good writer is having fun, the audience is almost always having fun too.
STEPHEN KING
Entertainment Weekly, August 17, 2007
There's no such thing as perfect writing, just like there's no such thing as perfect despair.
HURAKI MURAKAMI
Hear the Wind Sing
It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.
MARY OLIVER
The Christian Science Monitor, December 9, 1992
I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
HURAKI MURAKAMI
Paris Review, summer 2004
One of the things that writers very quickly learn to avoid is talking their work away. Talking about your work hardens it prematurely, and weakens the charge. You need to keep a fluid sense of the work in hand--it has to be able to change almost without your being aware that it's changing.
TOBIAS WOLFF
The Paris Review, fall 2004
What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.
THOMAS WOLFE
Selections from the Works of Thomas Wolfe
I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.
WILLIAM STYRON
The Paris Review, spring 1954
I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character--the author will do well to entrust the reader with this part of the work.
JOSÉ SARAMAGO
The Paris Review, winter 1998
I wish my prose to be transparent--I don't want the reader to stumble over me; I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.
V. S. NAIPAUL
The Paris Review, fall 1998
For a sentence is not complete unless each word, once its syllables have been pronounced, gives way to make room for the next.
ST. AUGUSTINE
Confessions
I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.
MAYA ANGELOU
Facebook post, October 13, 2012
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
To those who no longer have a homeland, writing becomes home.
THEODOR W. ADORNO
Minima Moralia
Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.
MORDECAI RICHLER
interview, Brick 81, 1989
Completing a book, it's a little like having a baby.... There's a feeling of relief and satisfaction when you get to the end. A feeling that you have brought your family, your characters, home. Then a sort of post-natal depression and then, very quickly, the horizon of a new book. The consolation that next time I will do it better.
JOHN LE CARRÉ
interview, The Telegraph, August 31, 2010
You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence. It's just so easy to give up!
OCTAVIA E. BUTLER
Locus Magazine, June 2000
Fiction is the only way to redeem the formlessness of life.
MARTIN AMIS
Essays