quotations about writing
I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.
JEFF ABBOTT
"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017
Writing is eternal,
For therein the dead heart liveth, the clay-cold tongue is eloquent,
And the quick eye of the reader is cleared by the reed of the scribe.
As a fossil in the rock, or a coin in the mortar of a ruin,
So the symbolled thoughts tell of a departed soul:
The plastic hand hath its witness in a statue, and exactitude of vision in a picture,
And so, the mind, that was among us, in its writings is embalmed.
MARTIN FARQUHAR TUPPER
Proverbial Philosophy
Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.
KOBO ABE
The Frontier Within
Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.
SIMON ARMITAGE
"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017
In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.
ALI MADEEH HASHMI
"The art of writing", The News on Sunday, March 11, 2017
I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.
SAM SHEPARD
The Paris Review
A writer can be compared to a well. There are as many kinds of wells as there are writers. The important thing is to have good water in the well, and it is better to take a regular amount out than to pump the well dry and wait for it to refill.
ERNEST HEMINGWAY
The Paris Review, spring 1958
I can't write five words but that I change seven.
DOROTHY PARKER
The Paris Review, summer 1956
I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.
ELIF BATUMAN
The Paris Review, winter 2012
In the end, the secret of writing is to be a tortoise, not a hare.
JONATHAN KELLERMAN
"Novelist explains how psychology training honed his writing", USC News, February 25, 2016
I want to be the apostle of self destruction. I want my book to affect man's reason, his emotions, his nerves, his whole animal nature. I should like my book to make people turn pale with horror as they read it, to affect them like a drug, like a terrifying dream, to drive them mad, to make them curse and hate me but still to read me.
LEONID ANDREYEV
diary, August 1, 1891
I would quit while you're ahead. Really, it's an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it's not any good. I would say just stop now. You don't want to do this to yourself. That's my advice to you.
PHILIP ROTH
advice to a young writer, "Writer meets Roth", New York writer Julian Tepper's blog
When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.
NICHOLSON BAKER
interview, Interview Magazine, September 16, 2013
Theatre and publishing worship either precocious young writers or mute dead ones.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.
PHILIP ROTH
Paris Review, fall 1984
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
JEFF ABBOTT
Publisher's Weekly, May 30, 2011
Writers, especially when they act in a body and with one direction, have great influence on the public mind.
EDMUND BURKE
Reflections on the Revolution in France
The reason why so few good books are written is, that so few people who can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.
WALTER BAGEHOT
Shakespeare: The Man
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
CHARLES DE LINT
"Music and Myth: A Conversation with Charles de Lint", The Internet Review of Science Fiction
Every character is an extension of the author's own personality.
EDWARD ALBEE
The New York Times, September 18, 1966