WRITING QUOTES XXVII

quotations about writing

It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.

CHINUA ACHEBE

interview, Okike, 1990

Tags: Chinua Achebe


I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


I've always considered writing the most hateful kind of work. I suspect it's a bit like f***ing -- which is fun only for amateurs. Old whores don't do much giggling.

HUNTER S. THOMPSON

The Great Shark Hunt: Strange Tales from a Strange Time

Tags: Hunter S. Thompson


Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.

MARKUS ZUSAK

"Why I Write", The Guardian, March 28, 2008


Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

Tags: Ursula K. Le Guin


I couldn't imagine, and I don't say this with any pride, but I really couldn't imagine writing without a desperate deadline.

HUNTER S. THOMPSON

The Paris Review, fall 2000


Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.

MARTIN AMIS

The Paris Review, spring 1998


Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.

YEVGENY ZAMYATIN

Theme and Plot

Tags: Yevgeny Zamyatin


I've got splinters in my nose from the best publishing doors in town.

RITA MAE BROWN

interview, Time, March 18, 2008

Tags: Rita Mae Brown


In the end, the secret of writing is to be a tortoise, not a hare.

JONATHAN KELLERMAN

"Novelist explains how psychology training honed his writing", USC News, February 25, 2016


A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.

SAUL BELLOW

Nobel lecture, December 12, 1976


You know, many writers really don't like to write. I think this the chief complaint of so many. They hate to write; they do it under the compulsion that makes any artist the victim he is, but they loathe the process of sitting down trying to turn thoughts into reasonable sentences.

HARPER LEE

interview with Roy Newquist, Counterpoints, 1964

Tags: Harper Lee


A writer is somebody for whom writing is more difficult than it is for other people.

THOMAS MANN

Essays of Three Decades


A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.

WILLIAM SHENSTONE

Essays on Men and Manners


I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again.

PHILIP ROTH

Ghost Writer

Tags: Philip Roth


You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.

KELLY LINK

"A Vampire is a Flexible Metaphor: An Interview with Kelly Link", Gigantic Magazine, October 23, 2013

Tags: Kelly Link


In the past, the virtue of women's writing often lay in its divine spontaneity ... But it was also, and much more often, chattering and garrulous ... In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.

VIRGINIA WOOLF

"Women and Fiction", Granite and Rainbow


All good writing leaves something unexpressed.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


In utter loneliness a writer tries to explain the inexplicable.

JOHN STEINBECK

New York Times, June 2, 1969


Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.

PHILIP ROTH

Paris Review, fall 1984