quotations about writing
The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.
JEAN DE LA BRUYÈRE
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"Of Works of the Mind", Les Caractères
The most essential gift for a good writer is a built-in, shock-proof, shit detector. This is the writer's radar and all great writers have had it.
ERNEST HEMINGWAY
Paris Review, spring 1958
I'm writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles.
SHANNON HALE
attributed, The Novel-Writing Plan
I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.
NORMAN MAILER
attributed, The Writer's Quotation Book
I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.
LOUIS ARAGON
Treatise on Style
True ease in writing comes from art, not chance,
As those move easiest who have learn'd to dance.
ALEXANDER POPE
An Essay on Criticism
Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.
URSULA K. LE GUIN
"A Message About Messages", CBC Magazine
Theatre and publishing worship either precocious young writers or mute dead ones.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.
SIMON ARMITAGE
"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017
I'm such a slow writer I have no need for anything as fast as a word processor. I don't need anything so snappy. I write so slowly that I could write in my own blood without hurting myself.
FRAN LEBOWITZ
The Paris Review, summer 1993
If I cannot be myself in what I write, then the whole is nothing but lies and humbug.
HENRIK IBSEN
letter to Björnstjerne Björnson, September 12, 1865
Writing is eternal,
For therein the dead heart liveth, the clay-cold tongue is eloquent,
And the quick eye of the reader is cleared by the reed of the scribe.
As a fossil in the rock, or a coin in the mortar of a ruin,
So the symbolled thoughts tell of a departed soul:
The plastic hand hath its witness in a statue, and exactitude of vision in a picture,
And so, the mind, that was among us, in its writings is embalmed.
MARTIN FARQUHAR TUPPER
Proverbial Philosophy
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
GAIL CARSON LEVINE
interview, RIF Reading Planet
Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
The artist deals with what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.
URSULA K. LE GUIN
introduction, The Left Hand of Darkness
From the moment I start a new novel, life's just one endless torture. The first few chapters may go fairly well and I may feel there's still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book's no good, far inferior to my earlier ones, until I've wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it's finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that's nearly broken his back ... Then it starts all over again, and it'll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I've done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!
ÉMILE ZOLA
The Masterpiece
I can't write five words but that I change seven.
DOROTHY PARKER
The Paris Review, summer 1956
In order to write the novel I'm committed to, I have to pretend that it's not only separate from everything I've written before, but also separate from anything anyone in the history of the universe has written. This is a grotesque delusion and a crass vanity, but also a creative necessity.
JULIAN BARNES
The Paris Review, winter 2000
In the mental disturbance and effort of writing, what sustains you is the certainty that on every page there is something left unsaid.
CESARE PAVESE
This Business of Living, May 4, 1942
A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
ERNEST HEMINGWAY
Death in the Afternoon