quotations about writing
In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.
TOBIAS WOLFF
In Pharaoh's Army
I invariably have the illusion that the whole play of a story, its start and middle and finish, occur in my mind simultaneously--that I'm seeing it in one flash. But in the working-out, the writing-out, infinite surprises happen. Thank God, because the surprise, the twist, the phrase that comes at the right moment out of nowhere, is the unexpected dividend, that joyful little push that keeps a writer going.
TRUMAN CAPOTE
The Paris Review, spring-summer 1957
Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich.
WILLIAM FAULKNER
The Paris Review, spring 1956
I don't begin a novel with a shopping list--the novel becomes my shopping list as I write it. It's like that joke about the violin maker who was asked how he made a violin and answered that he started with a piece of wood and removed everything that wasn't a violin. That's what I do when I'm writing a novel, except somehow I'm simultaneously generating the wood as I'm carving it.
WILLIAM GIBSON
The Paris Review, summer 2011
A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.
WILLIAM SHENSTONE
Essays on Men and Manners
Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage--that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.
WYNDHAM LEWIS
The Art of Being Ruled
I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.
ADAM RAPP
interview, Bomb Magazine, spring 2006
Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.
ALEX GARLAND
interview with Dennis Widmyer, July 30, 2007
That writer who aspires to immortality, should imitate the sculptor, if he would make the labours of the pen as durable as those of the chisel. Like the sculptor, he should arrive at ultimate perfection, not by what he adds, but by what he takes away.
CHARLES CALEB COLTON
Lacon
If there is an occupational hazard to writing, it's drinking.
CORMAC MCCARTHY
New York Times, April 19, 1992
All good writing is swimming under water and holding your breath.
F. SCOTT FITZGERALD
undated letter to his daughter "Scottie"
The writer operates at a peculiar crossroads where time and place and eternity somehow meet. His problem is to find that location.
FLANNERY O'CONNOR
Mystery and Manners
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
Learn to write well, or not to write at all.
JOHN DRYDEN
Essay on Satire
To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.
KINGSLEY AMIS
The Amis Collection: Selected Non-fiction
Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.
KOBO ABE
The Frontier Within
I find writing extremely difficult. I usually have to drag myself to my desk, mainly because I doubt myself. And it's getting harder because I want to improve with every book. Sometimes I guess it's best just to forget there's an audience and just write like no one will ever read it at all.
MARKUS ZUSAK
"Why I Write", The Guardian, March 28, 2008
Any writer of any worth at all hopes to play only a pocket-torch of light -- and rarely, through genius, a sudden flambeau -- into the bloody yet beautiful labyrinth of human experience, of being.
NADINE GORDIMER
Nobel Lecture, December 7, 1991
In creating the strange milieu in which your story takes place, you must first understand as well as you possibly can the familiar milieu in which your own life is taking place. Until you have examined and comprehended the world around you, you can't possibly create a complex and believable imaginary world.
ORSON SCOTT CARD
How to Write Science Fiction and Fantasy
As we understand it, the surest way to make a living by the pen is to raise pigs.
ROBERT ELLIOTT GONZALES
Poems and Paragraphs