quotations about writing
To write is to act.
HENRI-DOMINIQUE LACORDAIRE
Letters to Young Men
You must write according to your feelings, be sure those feelings are true, and let everything else go hang.
JULIAN BARNES
Flaubert's Parrot
Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.
TOBIAS WOLFF
Continuum, summer 1998
I have friends, some of whom are spectacularly good writers, who really want someone to edit them. I don't register that impulse. It's like the impulse for wanting a dog.
FRAN LEBOWITZ
interview, A. V. Club, June 17, 2011
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
KURT VONNEGUT
A Man Without a Country
I write from a thorough conviction that it is the duty of me, and with the belief that, after every drawback and shortcoming, I do my best, all things considered--that is for me, and, so being, the not being listened to by one human creature would, I hope, in nowise affect me.
ROBERT BROWNING
letter to Elizabeth Barrett, February 11, 1845
I'm pretty obsessive-compulsive and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry. I have a dog now, and I have to remember to walk him. When I write, that takes over and I can't do anything else. There's something exciting about that free fall, but then my life gets really screwed up. I've lost lots of relationships because of my having to ignore everything.
ADAM RAPP
interview, Theatre Communications Group
Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.
JEANETTE WINTERSON
The Paris Review, winter 1997
I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
JEFFREY EUGENIDES
The Paris Review, winter 2011
To finish is sadness to a writer--a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
JOHN STEINBECK
The Paris Review, fall 1975
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
MARTIN AMIS
The Paris Review, spring 1998
The first forms of writing emerged not for art, literature, or love, not for spiritual or liturgical purposes, but for business--all literature could be said to originate from sales receipts (sorry).
DANIEL J. LEVITIN
The Organized Mind
You have an idea in mind of what you want to achieve when you sit down to write something. It takes many years to accept that you will always fall short of that. Maybe now I can write the book that I might have had in mind five or twenty years ago. You're always lagging behind your best ideas.
TOBIAS WOLFF
The Missouri Review, 2003
You will always have days when you feel like an amateur. When it feels like everybody else is better than you. You will have this nagging suspicion that someone will eventually find you out, call you on your bullshit, realize you're the literary equivalent of a vagrant painting on the side of a wall with a piece of calcified poop. You will have days when the blank page is like being lost in a blizzard. You will sometimes hate what you wrote today, yesterday, or ten years ago. Bad days are part of the package. You just have to shut them out, swaddle your head in tinfoil, and keep writing anyway.
CHUCK WENDIG
The Kick-Ass Writer
Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.
FLANNERY O'CONNOR
Mystery and Manners
When I was teaching -- I taught for a while -- my students would write as if they were raised by wolves. Or raised on the streets. They were middle-class kids and they were ashamed of their background. They felt like unless they grew up in poverty, they had nothing to write about. Which was interesting because I had always thought that poor people were the ones who were ashamed. But it's not. It's middle-class people who are ashamed of their lives. And it doesn't really matter what your life was like, you can write about anything. It's just the writing of it that is the challenge. I felt sorry for these kids, that they thought that their whole past was absolutely worthless because it was less than remarkable.
DAVID SEDARIS
January Magazine, June 2000
As things stand now, I am going to be a writer. I'm not sure that I'm going to be a good one or even a self-supporting one, but until the dark thumb of fate presses me to the dust and says "you are nothing," I will be a writer.
HUNTER S. THOMPSON
Gonzo
There is only one way to make money at writing, and that is to marry a publisher's daughter.
GEORGE ORWELL
Down and Out in Paris and London
I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.
PHILIP ROTH
Deception: A Novel