quotations about writing
Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
I'm pretty obsessive-compulsive and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry. I have a dog now, and I have to remember to walk him. When I write, that takes over and I can't do anything else. There's something exciting about that free fall, but then my life gets really screwed up. I've lost lots of relationships because of my having to ignore everything.
ADAM RAPP
interview, Theatre Communications Group
I didn't want to be ignored. I didn't want my books to be ignored. But I didn't really care to cut such a figure either because ... well, it interferes with the business of writing.
SAUL BELLOW
Q & A at Howard Community College, February 1986
After a few days of writing I am as happy to see people as if I've been marooned on a desert island for a month.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.
ARISTOTLE
Poetics
The poet cannot invent new words every time, of course. He uses the words of the tribe. But the handling of the word, the accent, a new articulation, renew them.
EUGENE IONESCO
Present Past / Past Present
I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.
MARKUS ZUSAK
"On Top of His Game: SLJ Interviews Margaret A. Edwards Award Winner Markus Zusak", School Library Journal, June 2, 2014
What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.
VIRGINIA WOOLF
"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf
So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens.
KOBO ABE
The Face of Another
Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.
KOBO ABE
The Frontier Within
What you're trying to do when you write is to crowd the reader out of his own space and occupy it with yours, in a good cause. You're trying to take over his sensibility and deliver an experience that moves from mere information.
ROBERT STONE
The Paris Review, winter 1985
I write a sentence a thousand times, changing it all the time to look at it in different ways.
FRAN LEBOWITZ
The Paris Review, summer 1993
Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy ... it takes a mean author to write a good story.
GAIL CARSON LEVINE
Writing Magic
It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.
ERNEST HEMINGWAY
Nobel Prize speech, December 10, 1954
Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.
EDGAR ALLAN POE
"The Philosophy of Composition"
Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.
ALEX GARLAND
interview with Dennis Widmyer, July 30, 2007
Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.
CHINUA ACHEBE
Anthills of the Savannah
I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.
ADAM RAPP
interview, Bomb Magazine, spring 2006
We live in a world ruled by fictions of every kind--mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
J. G. BALLARD
Crash
In creating the strange milieu in which your story takes place, you must first understand as well as you possibly can the familiar milieu in which your own life is taking place. Until you have examined and comprehended the world around you, you can't possibly create a complex and believable imaginary world.
ORSON SCOTT CARD
How to Write Science Fiction and Fantasy