quotations about writing
I think a writer's job is to provoke questions. I like to think that if someone's read a book of mine, they've had--I don't know what--the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That's what I think writers are for. This is what our function is.
DORIS LESSING
The Paris Review, spring 1988
Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016
Hate the autocracy of the kept gates all you like, but the forge of rejection purifies us (provided it doesn't burn us down to a fluffy pile of cinder). The writer learns so much from rejection about himself, his work, the market, the business. Even authors who choose to self-publish should, from time to time, submit themselves to the scraping talons and biting beaks of the raptors of rejection. Writers who have never experienced rejection are no different than children who get awards for everything they do: they have already found themselves tap-dancing at the top of the "I'm-So-Special" mountain, never having to climb through snow and karate chop leopards to get there.
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
My job is not to try to give readers what they want but to try to make readers want what I give.
CHINA MIÉVILLE
The Guardian, September 20, 2012
I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.
CHARLES BUKOWSKI
Interview Magazine, September 1987
Fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself. This is not to say you are passive. You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens. You have to write the story you find in the circumstances you've created, because more often than not the ducks don't show up. The hunters in the next blind begin to argue, and you realize they're in love. You see a snake swimming in your direction. Your dog begins to shiver and whine, and you start to think about this gun that belonged to your father. By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
ANN PATCHETT
What Now?
I write because I hate. A lot. Hard.
WILLIAM H. GASS
The Paris Review, summer 1977
Good fiction creates its own reality.
NORA ROBERTS
The Stanislaski Brothers
It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.
LOUISE ERDRICH
The Paris Review, winter 2010
"Writing" is the Latin of our times. The modern language of the people is video and sound.
LAWRENCE LESSIG
Wikimania 2006
The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.
JULIAN BARNES
Flaubert's Parrot
I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar.
JEFFREY EUGENIDES
Middlesex
Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.
JANE HIRSHFIELD
Nine Gates: Entering the Mind of Poetry
Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.
JACK LONDON
"Getting Into Print", Editor magazine, 1903
The only characters I've made to resemble real people have been grotesques.
GLEN COOK
interview, SF Site, September 2005
We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.
GARRISON KEILLOR
"Who Has Time to Be a Writer?", Salon, August 11, 1998
In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.
ERNEST HEMINGWAY
preface, The First Forty-Nine Stories
To say that a writer's hold on reality is tenuous is an understatement -- it's like saying the Titanic had a rough crossing. Writers build their own realities, move into them, and occasionally send letters home.
DAVID GERROLD
The Martian Child
I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don't feel that way about it. Sometimes it's difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think ... that's your signpost and your guide. You'll never get there, but without it you won't get anywhere.
CORMAC MCCARTHY
interview with Oprah Winfrey, June 1, 2008
Gotta have a head like a wrecking ball, a spirit like one of them punching clown dummies that always weeble-wobbles back up to standing. This takes time. Stories need to find the right home, the right audience. Stick with it. Quitting is for sad pandas.
CHUCK WENDIG
250 Things You Should Know About Writing