WRITING QUOTES XIII

quotations about writing

Write only of what is important and eternal.

ANTON CHEKHOV

The Seagull


Writing can wreck your body. You sit there on the chair hour after hour and sweat your guts out to get a few words.

NORMAN MAILER

The New York Times, October 4, 2000


He did not seem to know enough about the people in his novel. They did not seem to trust him.

JAMES BALDWIN

Another Country

Tags: James Baldwin


I have feelings, but my pen cannot and will not write feelings; nay, my heart has no mind that can coin them into words.

LYMAN ABBOTT

Reminiscences

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In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.

ERNEST HEMINGWAY

preface, The First Forty-Nine Stories


The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.

HUNTER S. THOMPSON

The Paris Review, fall 2000


There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.

MIGUEL DE CERVANTES

Don Quixote

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There are only two kinds of books which you can write and be pretty sure you're going to make a living -- cook books and detective stories.

REX STOUT

Royal Decree: Conversations with Rex Stout

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There is probably no hell for authors in the next world--they suffer so much from critics and publishers in this.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought


To say that a writer's hold on reality is tenuous is an understatement -- it's like saying the Titanic had a rough crossing. Writers build their own realities, move into them, and occasionally send letters home.

DAVID GERROLD

The Martian Child

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Usually, you don't know where a book comes from ... it's just there, some kind of an itch that you can't quite scratch.

CORMAC MCCARTHY

interview with Oprah Winfrey, June 1, 2008

Tags: Cormac McCarthy


You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.

CARLOS RUIZ ZAFON

"The Shadow Maker", The Telegraph, November 27, 2005

Tags: Carlos Ruiz Zafon


A major character has to come somehow out of the unconscious.

GRAHAM GREENE

New York Times, October 9, 1985


Dear Aspiring Author; Write with heart. Put that open, honest, bare soul on paper.

VICTORIA LAURIE

Twitter post, December 3, 2014

Tags: Victoria Laurie


Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.

JOHN BANVILLE

attributed, Irish Writers and Their Creative Process


For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

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Good writers define reality; bad ones merely restate it.

EDWARD ALBEE

Saturday Review, May 4, 1966


I have no taste for either poverty or honest labor, so writing is the only recourse left for me.

HUNTER S. THOMPSON

The Proud Highway

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I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.

NORA ROBERTS

interview, inReads, October 5, 2011


I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece -- the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books.

STEPHEN LEACOCK

How to Write

Tags: Stephen Leacock