WRITING QUOTES XIII

quotations about writing

I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.

JO WALTON

interview, RT Book Reviews

Tags: Jo Walton


Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent--which attitude certainly has a great deal to support it. On the other hand, it is only because the world looks on his talent with such frightening indifference that the artist is compelled to make his talent important.

JAMES BALDWIN

Notes of a Native Son

Tags: James Baldwin


Nothing bad can happen to a writer. Everything is material.

PHILIP ROTH

attributed, Literary Agents: How to Get & Work With the Right One For You


I'm an into-the-mist writer in terms of plotting, and my process in general is very intuitive. Since my series characters are well established, what usually happens is they start talking in my head, and I'd better grab a pad and pen or hit the digital recorder feature on my iPhone or get to the keyboard before it goes away.

ELIZABETH ZELVIN

interview, Kings River Life Magazine, May 2012

Tags: Elizabeth Zelvin


A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.

WILLIAM SHENSTONE

Essays on Men and Manners


There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.

MIGUEL DE CERVANTES

Don Quixote

Tags: Miguel de Cervantes


He that writes to himself, writes to an eternal public.

ELIZA COOK

Diamond Dust

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Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?

VIRGINIA WOOLF

"Words Fail Me", BBC radio, April 29, 1937

Tags: Virginia Woolf


I'm all in favor of keeping dangerous weapons out of the hands of fools. Let's start with typewriters.

DAVID GERROLD

A Matter For Men

Tags: David Gerrold


The writer is often faced with two choices--turn away from the reality of life's intimidating complexity or conquer its mystery by battling with it. The writer who chooses the former soon runs out of energy and produces elegantly tired fiction.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


I think it is essential to promote your work, since there are over 100,000 books published each year, and readers can fall in love with books they've never heard about.

DOUGLAS CARLTON ABRAMS

interview, The Writer's Life

Tags: Douglas Carlton Abrams


Everyone who has ever written will have discovered that writing always awakens something which, though it lay within us, we failed clearly to recognize before.

GEORG CHRISTOPH LICHTENBERG

"Notebook J", The Waste Books


A writer should be able to express himself easily, naturally, copiously in a form that frees his mind, his energies. Why should he hobble himself with formalities?

SAUL BELLOW

The Paris Review, winter 1966


I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.

PETER CAREY

The Paris Review, summer 2006

Tags: Peter Carey


To say that a writer's hold on reality is tenuous is an understatement -- it's like saying the Titanic had a rough crossing. Writers build their own realities, move into them, and occasionally send letters home.

DAVID GERROLD

The Martian Child

Tags: David Gerrold


My job is not to try to give readers what they want but to try to make readers want what I give.

CHINA MIÉVILLE

The Guardian, September 20, 2012


In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.

ERNEST HEMINGWAY

preface, The First Forty-Nine Stories


Hate the autocracy of the kept gates all you like, but the forge of rejection purifies us (provided it doesn't burn us down to a fluffy pile of cinder). The writer learns so much from rejection about himself, his work, the market, the business. Even authors who choose to self-publish should, from time to time, submit themselves to the scraping talons and biting beaks of the raptors of rejection. Writers who have never experienced rejection are no different than children who get awards for everything they do: they have already found themselves tap-dancing at the top of the "I'm-So-Special" mountain, never having to climb through snow and karate chop leopards to get there.

CHUCK WENDIG

"25 Things Writers Should Know About Rejection", Terrible Minds


Writing, in war and in peace, is the same thing. The only difference is how you view yourself.... Mass death, revolutions and history make you reconsider things.

KHALED KHALIFA

"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017


There are only two kinds of books which you can write and be pretty sure you're going to make a living -- cook books and detective stories.

REX STOUT

Royal Decree: Conversations with Rex Stout

Tags: Rex Stout