WRITING QUOTES XIV

quotations about writing

When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.

JORGE LUIS BORGES

The Paris Review, winter-spring 1967


Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.

JANE HIRSHFIELD

Nine Gates: Entering the Mind of Poetry

Tags: Jane Hirshfield


For a moment, I debated whether I should tell someone about the words I'd started writing down, but I couldn't. In a way, I felt ashamed, even though my writing was the one thing that whispered okayness in my ear. I didn't speak it, to anyone.

MARKUS ZUSAK

Getting the Girl

Tags: Markus Zusak


The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

ANAÏS NIN

attributed, French Writers of the Past


Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?

VIRGINIA WOOLF

"Words Fail Me", BBC radio, April 29, 1937

Tags: Virginia Woolf


We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.

GARRISON KEILLOR

"Who Has Time to Be a Writer?", Salon, August 11, 1998

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He did not seem to know enough about the people in his novel. They did not seem to trust him.

JAMES BALDWIN

Another Country

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I think it is essential to promote your work, since there are over 100,000 books published each year, and readers can fall in love with books they've never heard about.

DOUGLAS CARLTON ABRAMS

interview, The Writer's Life

Tags: Douglas Carlton Abrams


Whether 10 or 1,000 people are listening is irrelevant. Writing is an investment in your future and your potential.

BIANCA BASS

"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016


Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016


I like to write. Sometimes I'm afraid that I like it too much because when I get into work I don't want to leave it. As a result I'll go for days and days without leaving the house or wherever I happen to be. I'll go out long enough to get papers and pick up some food and that's it. It's strange, but instead of hating writing I love it too much.

HARPER LEE

interview with Roy Newquist, Counterpoints, 1964

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With pen and with pencil we're learning to say
Nothing, more cleverly every day.

WILLIAM ALLINGHAM

"Blackberries"

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I want to do something splendid ... something heroic or wonderful that won't be forgotten after I'm dead ... I think I shall write books.

LOUISA MAY ALCOTT

Little Women

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I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968


Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.

KELLY LINK

interview, Apex Magazine, July 2, 2013

Tags: Kelly Link


Good fiction creates its own reality.

NORA ROBERTS

The Stanislaski Brothers


The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth.

WILLIAM BUTLER YEATS

letter to the editor, Dublin Daily Express, February 27, 1895

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I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.

PETER CAREY

The Paris Review, summer 2006

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The purpose of a writer is to keep civilization from destroying itself.

ALBERT CAMUS

attributed, 2012: Waking of the Prophets

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If, while observing the boundless universe, the writer is able to scrutinise his own self as well as others, the resulting incisiveness of his observations will far surpass objective descriptions of reality.

GAO XINGJIAN

"Literature as Testimony: The Search for Truth", Witness Literature: Proceedings of the Nobel Centennial Symposium

Tags: Gao Xingjian