quotations about writing
I consider a story merely as a frame on which to stretch my materials.
WASHINGTON IRVING
introduction, Tales of a Traveler
I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."
ROGER ZELAZNY
interview, Phlogiston, 1995
My job is not to try to give readers what they want but to try to make readers want what I give.
CHINA MIÉVILLE
The Guardian, September 20, 2012
You know nobody's ever going to see the stuff, but you have to write through it. You're just trying to satisfy some grim, barren mandate. There's probably a German word for that.
JOHN JEREMIAH SULLIVAN
The Paris Review, winter 2012
Sometimes I think that my best writing comes from exposing my fears and vulnerabilities and hoping that nobody notices it's about me.
VICTORIA LAURIE
Twitter post, October 13, 2014
After a while the business end of writing takes too much of the writing time. Better to pay someone ten percent and find that you're still more than ten percent ahead in the end. Which is true. My present agent says that he always feels that a good agent during the course of a year should earn back for his client at least the ten percent he takes by way of commission, so the client's really nothing out. And what he should ideally do is make him more money than the ten percent.
ROGER ZELAZNY
interview, Phlogiston, 1995
Hate the autocracy of the kept gates all you like, but the forge of rejection purifies us (provided it doesn't burn us down to a fluffy pile of cinder). The writer learns so much from rejection about himself, his work, the market, the business. Even authors who choose to self-publish should, from time to time, submit themselves to the scraping talons and biting beaks of the raptors of rejection. Writers who have never experienced rejection are no different than children who get awards for everything they do: they have already found themselves tap-dancing at the top of the "I'm-So-Special" mountain, never having to climb through snow and karate chop leopards to get there.
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
In his text, the writer sets up house. Just as he trundles papers, books, pencils, documents untidily from room to room, he creates the same disorder in his thoughts. They become pieces of furniture that he sinks into, content or irritable.
THEODOR W. ADORNO
Minima Moralia
I like to write. Sometimes I'm afraid that I like it too much because when I get into work I don't want to leave it. As a result I'll go for days and days without leaving the house or wherever I happen to be. I'll go out long enough to get papers and pick up some food and that's it. It's strange, but instead of hating writing I love it too much.
HARPER LEE
interview with Roy Newquist, Counterpoints, 1964
Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016
Writing is about growth, challenge and change. Without those things, there's no joy in it.
VERONICA ROTH
"Best-Selling Author Veronica Roth Tells What Writing Books Is Really Like", Entrepreneur, March 30, 2017
I think it is essential to promote your work, since there are over 100,000 books published each year, and readers can fall in love with books they've never heard about.
DOUGLAS CARLTON ABRAMS
interview, The Writer's Life
How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?
GASTON BACHELARD
The Poetics of Reverie: Childhood, Language, and the Cosmos
We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.
GARRISON KEILLOR
"Who Has Time to Be a Writer?", Salon, August 11, 1998
"Writing" is the Latin of our times. The modern language of the people is video and sound.
LAWRENCE LESSIG
Wikimania 2006
I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don't feel that way about it. Sometimes it's difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think ... that's your signpost and your guide. You'll never get there, but without it you won't get anywhere.
CORMAC MCCARTHY
interview with Oprah Winfrey, June 1, 2008
Gotta have a head like a wrecking ball, a spirit like one of them punching clown dummies that always weeble-wobbles back up to standing. This takes time. Stories need to find the right home, the right audience. Stick with it. Quitting is for sad pandas.
CHUCK WENDIG
250 Things You Should Know About Writing
In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.
ERNEST HEMINGWAY
preface, The First Forty-Nine Stories
I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar.
JEFFREY EUGENIDES
Middlesex
For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.
TANITH LEE
interview, Innsmouth Free Press, November 17, 2009