quotations about writing
When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.
JOHN STEINBECK
New York Times, June 2, 1969
The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.
JULIAN BARNES
Flaubert's Parrot
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
KELLY LINK
interview, Apex Magazine, July 2, 2013
I have feelings, but my pen cannot and will not write feelings; nay, my heart has no mind that can coin them into words.
LYMAN ABBOTT
Reminiscences
Everybody writes a book too many.
MORDECAI RICHLER
"Sayings of the Week", The Observor, January 9, 1985
I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."
ROGER ZELAZNY
interview, Phlogiston, 1995
After a while the business end of writing takes too much of the writing time. Better to pay someone ten percent and find that you're still more than ten percent ahead in the end. Which is true. My present agent says that he always feels that a good agent during the course of a year should earn back for his client at least the ten percent he takes by way of commission, so the client's really nothing out. And what he should ideally do is make him more money than the ten percent.
ROGER ZELAZNY
interview, Phlogiston, 1995
Things that you write are in some degree autobiographical, but the first thing you find out about autobiography is that it's the hardest thing in the world to write. It's hard because it's very difficult to be absolutely factual about yourself. So ... when you write, you may draw on facts from your own life, but if their not in harmony with your story, they're worse than useless. You just stumble over them.
SAUL BELLOW
Q & A at Howard Community College, February 1986
For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.
TANITH LEE
interview, Innsmouth Free Press, November 17, 2009
The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth.
WILLIAM BUTLER YEATS
letter to the editor, Dublin Daily Express, February 27, 1895
My gratitude for good writing is unbounded; I'm grateful for it the way I'm grateful for the ocean.
ANNE LAMOTT
Bird by Bird
Some people talk to themselves, and some people write, and somehow society has decided that one gets committed and one gets a paycheck.
BOB LONSBERRY
official website
I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
I think a writer's job is to provoke questions. I like to think that if someone's read a book of mine, they've had--I don't know what--the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That's what I think writers are for. This is what our function is.
DORIS LESSING
The Paris Review, spring 1988
A major character has to come somehow out of the unconscious.
GRAHAM GREENE
New York Times, October 9, 1985
I understood that my real problem with writing was not that I couldn't do it mentally. I couldn't do it physically. I could not sit still. Literally, could not sit still. So I had to solve that. I used some long scarves to tie myself into my chair. I tied myself in with a pack of cigarettes on one side and coffee on the other, and when I instinctively bolted upright after a few minutes, I'd say, Oh, shit. I'm tied down. I've got to keep writing.
LOUISE ERDRICH
The Paris Review, winter 2010
I find writing extremely difficult. I usually have to drag myself to my desk, mainly because I doubt myself. And it's getting harder because I want to improve with every book. Sometimes I guess it's best just to forget there's an audience and just write like no one will ever read it at all.
MARKUS ZUSAK
"Why I Write", The Guardian, March 28, 2008
We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.
TANITH LEE
"Love & Death & Publishers", Locus Magazine, April 1998
I invariably have the illusion that the whole play of a story, its start and middle and finish, occur in my mind simultaneously--that I'm seeing it in one flash. But in the working-out, the writing-out, infinite surprises happen. Thank God, because the surprise, the twist, the phrase that comes at the right moment out of nowhere, is the unexpected dividend, that joyful little push that keeps a writer going.
TRUMAN CAPOTE
The Paris Review, spring-summer 1957