WRITING QUOTES XII

quotations about writing

I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite, and I try to learn as much as I can on my own before I show it to my editor at The New Yorker. I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.

DAVID SEDARIS

Oasis Magazine, June 2008


Writing groups are the best things to happen to a writer since the invention of spell check. (I rely heavily on both so I would know.)

DASHA FAYVINOVA

"9 Reasons Joining A Writing Group Is One Of The Best Ways A Writer Can Grow", Bustle, February 8, 2016


Usually, you don't know where a book comes from ... it's just there, some kind of an itch that you can't quite scratch.

CORMAC MCCARTHY

interview with Oprah Winfrey, June 1, 2008

Tags: Cormac McCarthy


The excitement I get from writing is finding out each day what happens next.

CHARLES DE LINT

"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013

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My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.

ANNE LAMOTT

interview, Big Think, April 6, 2010


A great writer has a high respect for values. His essential function is to raise life to the dignity of thought, and this he does by giving it a shape.

ANDRÉ MAUROIS

The Art of Writing

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I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece -- the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books.

STEPHEN LEACOCK

How to Write

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Writing can wreck your body. You sit there on the chair hour after hour and sweat your guts out to get a few words.

NORMAN MAILER

The New York Times, October 4, 2000


Writing is a part of healing, of digging into society.

KHALED KHALIFA

"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017


If there is a special Hell for writers it would be in the forced contemplation of their own works.

JOHN DOS PASSOS

New York Times, October 25, 1959

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A lot of novelists start late--Conrad, Pirandello, even Mark Twain. When you're young, chess is all right, and music and poetry. But novel-writing is something else. It has to be learned, but it can't be taught. This bunkum and stinkum of college creative writing courses! The academics don't know that the only thing you can do for someone who wants to write is to buy him a typewriter.

JAMES M. CAIN

The Paris Review, spring-summer 1978

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Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.

JAMES JOYCE

letter to Fanny Guillermet, September 5, 1918

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He did not seem to know enough about the people in his novel. They did not seem to trust him.

JAMES BALDWIN

Another Country

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It's not a bad thing for a man to have to live his life--and we nearly all manage to dodge it. Our first round with the Sphinx may strike something out of us--a book or a picture or a symphony; and we're amazed at our feat, and go on letting that first work breed others, as some animal forms reproduce each other without renewed fertilization. So there we are, committed to our first guess at the riddle; and our works look as like as successive impressions of the same plate, each with the lines a little fainter; whereas they ought to be--if we touch earth between times--as different from each other as those other creatures--jellyfish, aren't they, of a kind?--where successive generations produce new forms, and it takes a zoologist to see the hidden likeness.

EDITH WHARTON

"The Legend", Tales of Men and Ghosts

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Here are the two states in which you may exist: person who writes, or person who does not. If you write: you are a writer. If you do not write: you are not. Aspiring is a meaningless null state that romanticizes Not Writing. It's as ludicrous as saying, "I aspire to pick up that piece of paper that fell on the floor." Either pick it up or don't. I don’t want to hear about how your diaper's full. Take it off or stop talking about it.

CHUCK WENDIG

The Kick-Ass Writer


You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.

CARLOS RUIZ ZAFON

"The Shadow Maker", The Telegraph, November 27, 2005

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A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.

WILLIAM SHENSTONE

Essays on Men and Manners


Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?

VIRGINIA WOOLF

"Words Fail Me", BBC radio, April 29, 1937

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For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

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Nothing bad can happen to a writer. Everything is material.

PHILIP ROTH

attributed, Literary Agents: How to Get & Work With the Right One For You